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Madonna: virgin and the vamp

When I saw Madonna on the cover of "Vogue" in July, I thought to myself, "Wow, look how much she's changed." It had only been a year since she had started what I assumed would be her last tour, The Re-Inventions Tour, and for some time after that it seemed as if this 40-something, 80s pop idol had changed: She married a Brit, had two children and made a home in London.

For all intents and purposes, Madonna had put those days of standing on the side of the street, naked, with more than a hitchhiker's thumb hanging in the wind behind her. Madonna, holding true to her chameleon roots, had once again reinvented herself into a mom and wife like any other

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Brenda Gunn, the director of the Albert and Shirley Small Special Collections Library and the Harrison Institute for American History, Literature and Culture, explores how students can approach the collections with curiosity, and how this can deepen their understanding of history. From exhibitions to the broader museum world, she reflects on the vital work of archivists in ensuring that even the quietest and oppressed voices are heard.