“Nightcrawler” presents a new definition of citizen journalism. The film pushes its cast and audience to consider the flaws in the media, exposing corruption and the devastating truth that the thirst for money may drive a man to drastic measures.
Louis Bloom (Jake Gyllenhaal) is a nightcrawler. He cruises the streets at night listening in on a police scanner for reports of the latest crash, fire or murder. His camera rests on the seat next to him ready to cover as much of the carnage he finds as possible. New to the business, Louis is prepared to do anything necessary to acquire and deliver his nightly footage to the highest bidder. He is a hard worker and a team player, driven to obtain the perfect shot and the ultimate scoop, no matter how much blood he has to walk through to get it.
Gyllenhaal dominates the role of Louis. He expertly portrays Louis’ impatience with other “normal” people, and his frustration that they are necessary to further his career. Gyllenhaal’s character is complex, walking the line between composure and instability. Gyllenhaal depicts a sense of uneasiness at all times, which builds as the film progresses.
The camera work in “Nightcrawler” succeeds in masking complicated, disturbing images with masterful scenery.
The film begins with scenic views of Los Angeles at night: the moon shining behind skyscrapers and cars dotting the ground like moving lights. Zooming in, however, the façade becomes clear, and what makes up that celestial skyline is none other than the violent tendencies of reality. The film is a nighttime affair, and shots of the city flash with red and blue as police cars race to reach the next crime scene. Among them is Louis recording video of bloodied sidewalks, bullet-ridden windows, and crushed vehicles.
After Louis captures his violent footage, he sells it to the director of the local news station, Nina. Played by the brilliant Rene Russo, Nina is as twisted as Louis. She is seeking to improve her position and increase the ratings of her broadcasts. The inclusion of her character serves not only to offer a foil to Louis, but to shed light on contemporary media habits.
Director Dan Gilroy’s debut work aims to expose the media’s inhumane drive to reach a larger viewership. At times, Gilroy focuses on the screen of Louis’ camera recording a violent scene. The audience watches the footage of what will eventually be shown the next morning, becoming a part of the masses that continue the demand of Louis’ profession.
By incorporating the viewer, Gilroy creates a film that transcends what would be normally considered an absorbing character study into an extensive and revealing social commentary.
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