Gorillaz, a digital band created by Damon Albarn, was a flagship of alternative music in the early 2000s. Backed by a group of fictional characters portrayed as cartoons, Albarn and his band created countless memorable songs throughout the first years of their existence.
“Hallelujah Money” — released Jan. 19 — is the first official release from the band in over six years and features Albarn collaborating extensively with British poet and musician Benjamin Clementine. The single was released the day before the presidential inauguration — anything but a coincidence, as the song’s narrative echoes recent events within American politics.
The song opens bizarrely, with Clementine in the role of a ruler who views the land he governs as a “tree.” This fictional ruler promised his subjects a perfect world, which he feels is threatened by “scarecrows from the far east.” Clementine sings about isolationism and assures his people that they only need to trust in him and his power, a relevant reflection of the current political discussions and issues in America.
Throughout the single, Clementine repeats the title line “hallelujah money,” symbolizing rulers obsessed with their own personal gain. Albarn also interjects with questions that are sung but never answered. This is a portrayal of trusted rulers basking in their own success while ignoring the questions of their citizens.
The message of “Hallelujah Money” is carried most strikingly by the music backing Albarn and Clementine’s lyrics. During the moments when Clementine’s character speaks to his people, the background music is in typical Gorillaz style — sparse electronic sounds. However, the tone and key of these sounds create a more ominous effect than the Gorillaz have ever produced before.
The menacing tone contrasts sharply to when Clementine sings his praises of money. The music quickly changes, becoming a heavenly meshing of choral voices and lush string sections. At the core of “Hallelujah Money” is a ruler in the heavenly bliss of his own wealth and power while the people he has sworn to lead and protect look on, unsure of the future ahead of them. It’s a timely message, and a haunting one.
Read More
“The Penguin” Soars as a Sinister Gotham Tale
By Benjamin Apostol | November 15, 2024With executive production from Reeves, showrunner Lauren LeFranc keeps “The Penguin” tethered to what made the inciting film so thrilling, this time with a fresh perspective embedded within the darkest alleys of Gotham’s mafia underbelly.
“The Show” sees Niall Horan delve into his most introspective self and his most confident sound
By Siona Pathak | July 2, 2023Ever since his days on X-Factor with former band One Direction, Niall Horan has been known for his wholesome charm and jovial attitude. While his charm and sunny disposition has come through in his solo ventures as well, Horan explores more moodier sentiments and nostalgic sounds through his most recent record, “The Show.”
‘who told you to think??!!?!?!’ reimagines rap as pure art
By Adam Beddawi | August 20, 2017“who told you to think??!!?!?!?!” is in many respects a continuation of milo’s previous artistic form on previous LP, “So The Flies Don’t Come."
