How do you cope with not loving your favorite band’s new album?
“Toni Morrison: The Pieces I Am” will be screened on Wednesday, Oct. 16 in the Newcomb Hall Theater at 5 p.m. A panel and book signing will follow.
Before all the leaves are gone and your cute sweaters get replaced by clunky coats, let these songs soundtrack your autumnal bliss.
While the concert mainly drew in alumni attending fundraising events for the University and Charlottesville locals, there were pockets of students that attended.
Despite the TV-PG rating of “Raising Dion,” creator Carol Barbee designed a series capable of conveying deep emotion and complex thought.
“Joker” certainly has the tools to drum up tension, to set the heart pounding the blood pumping — but it’s all setup and no punchline.
“The Last Black Man in San Francisco” is a suspenseful, cathartic and ultimately beautiful film.
It seems safe to say that the rest of season four will see “Mr. Robot” succeed at being a thriller on a technical level.
“I was interested in the challenges of a two person show without costume changes or sets,” Directer Dave Dalton said.
The episode fulfilled fan expectations that the season premiere would highlight key political events that took place during the show's summer hiatus.
The film that opened the three night festival was the 2017 documentary “Nostalgia for the Future,” which was co-directed by Kishore and his partner Rohan Shivkumar.
The third annual Spanish, Italian and Portuguese Film Festival took place this past weekend on Grounds and in downtown Charlottesville.
College graduate Micah Ariel Watson ('18) previewed her new web series "Black Enough" at Vinegar Hill Theatre last Saturday.
Netflix’s documentary series “Abstract: The Art of Design” is a testament to the beauty of niche media produced to perfection.
A Quick And Tragic Thaw will be on public display in Ruffin Gallery until Oct.18th.
It’s as if the architecture of the University is encroaching where it does not belong, not building a connection but emphasizing a distinct difference between the two spheres of Charlottesville.
Álvaro Enrigue won’t just change your mind, he’ll flip it around and peel back all it knew, salt it and serve it with a shot of confused delight.
The venue, the bands and the crowd coalesced into a vibrant and energetic night, filled with hoots and hollers and high-fives.
In almost every song you can find a moment where Howard says “I am” followed by some poetic, yet straightforward understanding of her own identity.
Broadway Talks Back, a CIO dedicated to bringing theater professionals and students together, hosted a master class and Q&A with award-winning actress Jessie Mueller.
