Since March 4th, the local theater group Live Arts has been celebrating the exciting, complex and uplifting world of drag performance through their beautiful — and far from orthodox — production of “The Legend of Georgia McBride” by Matthew Lopez.
Favier’s “Slalom” recounts the story of fifteen-year-old aspiring Olympic skier Lyz Lopez (Noée Abita) and the emotional turmoil she experiences when she is raped by the person she trusts most — her coach Fred (Jérémy Renier).
Despite the longevity of the franchise, the eighth installment in the Conjuring Universe manages to retain the energy and gruesome nature of the previous films, even if it stumbles along the way.
It's time to celebrate with a specially curated playlist in honor of the Class of 2021!
Most popular shows on television chose to leave the pandemic out of their storylines, but "Grey's Anatomy" and "Station 19" used their platforms to show the struggles of first responders.
The University Programs Committee hosted singer-songwriter Dominic Fike virtually Friday night as part of their annual Springfest programming.
After Africa Day 2020 missed its moment in the spotlight due too the pandemic, the Organization of African Students' virtual Africa Day 2021 centered on the theme "ifarada" — resiliency.
BROCKHAMPTON kicks off their farewell from music with their sixth studio album, "ROADRUNNER: NEW LIGHT, NEW MACHINE."
"Fearless (Taylor's Version)" is meticulously faithful to the original with no noticeable changes on the whole, aside from the crisper production and the maturation of Swift's vocals.
In both physical and digital ways, this beautiful sight has certainly brought the University community together in a period so marked by seclusion.
After seeing the experimental and well-paced series "WandaVision" hit the small screen, "The Falcon and the Winter Soldier" feels like a return to the humdrum norm of Marvel content.
The success of these significant films and TV shows uplifted untold stories and those who society too often silences.
Soraya Chemaly visited New Dominion Bookshop Dec. 5 to discuss her new book "Rage Becomes Her: The Power of Women's Anger."
Rufus Wainwright's Dec. 10 performance at the Paramount Theater featured the singer-songwriter both looking back on — and perhaps relying too heavily on — his earliest material.
Though it may not be able to make audiences cry, "Ramen Shop" will at least make their stomachs growl.
The University Drama Department's production of "Tartuffe" found ways to make the classic play engaging without sacrificing its inherent themes or visual styles.
To wrap up the semester and the calendar year, Forgotten Films columnist Mark Felice presents his picks for the 2018 movies that should be forgotten and those that deserve remembering.
6ix9ine’s shortcomings as an artist are brought to the surface all throughout “DUMMY BOY.”
“Creed II” is much less hesitant than the first “Creed” to directly lift classic Rocky musical motifs.
“Dicaprio 2” is a puzzle with gorgeously designed pieces, each with its own complex shape, pattern, vibrance and energy. But none of the pieces fit together, however promising the pile seems to be.
