Folk rock singer-songwriter created a family out of a crowd of strangers
"Million Dollars to Kill Me," the fifth album from indie rock group Joyce Manor, sees the band move from punk to a pop sound with uneven results.
In an interview with A&E, the drummer for Moon Taxi discusses the band's secrets to success, their history and their plans for the Sprint Pavilion performance.
For this week's "Forgotten Films," one of Stephen King's most underrated adaptations is placed in the spotlight.
After a tumultuous year for the entertainment industry, television’s most prestigious awards show had to confront the toxic and systemic issues brought to a boiling point in the past few months.
Season five begins on a deceptively optimistic note, but as usual, spirals into increasingly dark territory.
Noname's first full-length album "Room 25" shows a continuation of the hip-hop artist's unmistakable themes and style, centering around political issues and told in a unique, slam poetry fashion.
Netflix’s mockumentary offers more than just poop jokes
"Sharp Objects" is a slow and dark procedural featuring journalist Camille Preaker (Amy Adams) returning to her small Southern Louisiana town.
Crystal Hana Kim, debut author of the novel "If You Leave Me," discusses her personal ambitions and inspirations while writing the Korean War epic.
“A Simple Favor” takes the male-dominated thriller genre and reimagines it in an undoubtedly feminine and mothering way.
The guys of Kendall Street Company give a glimpse of their conviviality on and off stage
That’s what you feel when you listen to Kate Bollinger — lucky.
One of the most iconic lines in movie history comes from a movie that most people have probably never heard of before, let alone taken the time to watch.
While "Egypt Station," Paul McCartney's latest, falls somewhere in the middle of the artist's enormous discography, the album still provides plenty for fans to enjoy.
Troye Sivan flourishes in sophomore album
Kristen Barrett discusses how she hopes the play will provide a fresh perspective on race relations.
Lawrence Simon discusses the significance of the show and the organization as a whole, as well as his role as director.
“Be the Cowboy” delves into sometimes ugly, always intimate reality of modern love.
Marcom shares formative career moments, her reasons for writing and teaching and what she hopes to accomplish at the University.
