As a film, “Bright” is many things — none of them good.
"The Last Jedi" is a Star Wars film that both acknowledges and consciously sheds the weight of its storied past, frequently upending the audience's expectations.
Calling this work a N.E.R.D album might be a slight misnomer, given this project embodies the Pharrell Williams solo oeuvre much more so than any of the group’s previous releases.
Chris Stapleton recently released his third record, “From a Room: Volume 2,” and it serves as another reminder as to why he is — and very well should be — the new face of country music.
Miguel has the vocals down, but the level of production of “War & Leisure” is not at the point where it has enough variance to be innovative.
While not always perfectly polished and professional, their production was carried by an infectious cast and ensemble energy.
Unfortunately, Sia's rushed writing process and lack of originality shine through on "Everyday is Christmas."
As the year comes to an end, it is time to reflect on some of the most engaging TV of 2017.
The record label-management company-content platform 88rising is an organization which has firmly placed itself at the nexus of the rapidly volumizing diffusion of Asian pop culture into American music.
Björk created the underlying sound of “Utopia” with a 12-piece Icelandic section that played the music she composed while wandering the Icelandic countryside.
G-Eazy's work in showing emotional depth and authenticity for such a wide commercial audience remains largely untested.
On Nov. 14, People Magazine blithely announced the chief warrior in the fight for cheek-blushing and lip-biting, the man they deem sexiest alive, in the entire world, in a certain year. And they picked Blake Shelton.
The Jefferson Theater will host the musician Tuesday, Nov. 28, along with folk-rock singer and University graduate Ned Oldham.
Following the tone set by "World Peace Is None of Your Business," Morrissey's 11th studio album "Low in High School" offers acrimonious commentary on the current state of the world.
A diamond in the rough of the days before indie-rock had been fully absorbed into the mainstream, "The Lonesome Crowded West" deserves not to be forgotten.
Though perhaps far from a heartwarming film, “Mudbound” is an important one, thought-provoking as it is stunning.
“Justice League” is simply an insubstantial film, and what it does have still isn’t very good.
“Wild Honey” instead becomes a romantic comedy which should not work but does. The incongruity of the characters — not only within their own lives but with each other — is a fun and light spin on the boy-meets-girl drama.
Hippo Campus put on an unsatisfyingly static and half-hearted performance, and for much of this the crowd is to blame.
Under Luca Guadagnino’s deft direction, the film renders that stretch of ephemeral glory real enough to touch.
