The Weeknd's new release is a skin-and-bones EP that barely spans 20 minutes.
It may not sound like anything one would expect from a musical, but nonetheless, the Department of Drama’s spring offering opened last weekend to an excellent audience reception.
It wasn't always the case that this film was looked upon with such reverence.
While the series shows flashes of potential, they largely take place when drama teacher Lou Mazzuchelli (Josh Radnor) is offscreen.
Classic American film "Sunset Boulevard" still remains a beautiful, relevant cautionary tale decades after its release.
The new sequel, “Pacific Rim Uprising,” is the kind of lame follow-up that can only sit in the original film’s giant robot shadow.
It’s a much simpler plot than that of the game, with a much smaller cast, but the movie is still bloated as it laboriously over-establishes a great many elements that simply don’t matter.
Let Noname’s music save your soul, and do it with an acute awareness of supporting incredibly deserving, black female artists.
Adrianne Lenker's show at The Southern Cafe and Music Hall was an intimately beautiful acoustic experience.
Car Seat Headrest has given us in their newest record of an unbelievable variety of emotion, wit, and musical talent.
Dacus is stressed, anxious, excited and eagerly anticipating the release of her upcoming album “Historian.”
As is the case for nearly every other aspect of “Mute,” an utterly mindless sense of style is the number one priority—at the expense of virtually everything else that might be found in a potentially good movie.
For a culture so obsessed with shortening everything into a 280-character social media soundbite, public discourse has centralized around feature-length films and largely ignored the art form of the animated short. The Animation Show of Shows aims to change that.
“Black Panther” is a fantastic superhero film, one that is not just of Africa but explicitly about Africans, as the film is heavily thematically invested in real-world racial dynamics.
Lockn’ has announced its initial lineup, and it is huge. Dead and Company, the continuation of the Grateful Dead, will be playing four sets while headlining both Saturday and Sunday at the festival.
Texting is such a central part of modern communication that on-screen text messaging has become just as important as spoken dialogue.
Directors Peter and Michael Spierig put forth a script so corny not even Helen Mirren’s expertise could save it.
From the outset, a potentially dangerous cult leader is drawn as a reasonable, religious, caring family man.
Ty Segall has never been one to be pigeonholed into a certain sound.
Pouya Shahbazian, a U.Va. alumnus and producer of "Love, Simon," shares a little about his processes and passions.
