When you think of rap, you don’t expect it to be about postmodernism and the Hagakure, but Wisconsin rapper Milo covers both before the third song even hits on his latest EP “So The Flies Don’t Come.”
Charlottesville’s hipster crowd packed the Jefferson Theater with a dense grove of diversely bushy beards for singer-songwriter M. Ward.
Although Blink-182 has a new addition in guitarist and vocalist Matt Skiba, their latest single, “Bored to Death,” finds them as capable as ever in crafting catchy and anthemic pop-punk.
Arts & Entertainment spoke with Matt FX about his coveted career path, the joy of collaboration and the importance of lending a favor.
Upbeat, fresh and uncommon, Mumford & Sons’ latest single “There Will be Time” featuring Baaba Maal may be their best yet.
Electric guitar and a pounding drumbeat — the first five seconds of the Avett Brothers’ single “Ain’t No Man” defies the group’s usual folk sound.
Husband-and-wife duo JOHNNYSWIM, known for their unique folksy songs and untouched chemistry on stage, visited Jefferson Theater April 25, and the concert lived up to expectations.
For someone who’s carved out a career singing and rapping his way to superstardom, versatility is the name of the game.
Mothers managed to bring a sizable crowd into the Southern Café and Music Hall last Monday night.
From heart-pounding rock shows to simple folk experiences, Charlottesville’s music scene has lit up with talent this year.
“Jews on a Plane”, the season 3 finale of Comedy Central’s “Broad City,” is in many ways a fitting end to the show’s most eclectic season.
In his follow-up to "Boyhood," Richard Linklater tackles a retro take on the weekend before classes begin at a Texas College in his typical laid back yet thought provoking style.
With his sophomore effort, Ferg elevates his artistry to new levels with a versatility that is absent from his first album.
By largely the same team that brought us “Broad City,” “Time Traveling Bong” takes stoner humor and creates an entire miniseries around smoking weed.
The question on fans’ minds since last season’s premiere has been the fate of Jon Snow: is he truly dead?
Last week, indie and psychedelic rock band White Denim visited The Southern for a night of rock music, dancing, hollering and all-around good fun.
Season four of “Inside Amy Schumer” rolled out to somewhat of a rocky start for the comedian who could do no wrong in 2015.
The music is a poignant, personal and powerful meditation on identity, relationships and black feminism — all of which is magnified by the film itself.
In 11 minutes total, the band pairs polished subtle accompaniments with incredibly raw and intimate lyrics to give listeners a unique mix of complicated, circular emotions and technique.
If asked what kind of music they’re into, the vast majority of college students would offer the same response: “I pretty much listen to everything except country.” This is a sentiment Sturgill Simpson knows too well.
