Even upon first listen, “The White Album” clearly marks a return to form for Weezer. After a decade of mixed criticism, the band has returned to its roots with distorted guitar leads, tight song structures and catchy choruses.
Last week’s episode of HBO’s “Girls” left a lot to be desired. It wasn’t terrible, but it definitely felt forced and tired at times. In a complete reversal, this week’s episode, “The Panic in Central Park,” exceeded all expectations.
The second season of “Daredevil” is nothing short of a whirlwind of action and emotion. From the start there is an immediate shift in focus away from local crime bosses to larger crime organizations that span generations and have mystical practices.
“Batman v Superman: Dawn of Justice” was one of the year’s most anticipated films because it had to be. The DC Cinematic Universe has hinged upon its success, with DC hoping to gain an iota of credibility next to Marvel Entertainment’s dominance of superhero movie franchises.
Viet Thanh Nguyen, associate professor of English and American Studies and Ethnicity at the University of Southern California, brought to the University his unique perspective on the Vietnam War and how it is remembered.
This time around, main character Toula Portokalos (Nia Vardalos), now Toula Miller, is forced to let go — her daughter Paris (Elena Kampouris) begins to pull away as she prepares for college.
For White Denim, the indie-rock band from Austin, Texas, a new album means a stab at a brand-new sound.
“The Characters” has a simple premise: eight up-and-coming comedians, half an hour per person, no structure and no rules.
Most University students when hearing about a rap show at the Jefferson Theater might envision barely discernable verses, overdriven beats and a boisterous crowd. Understandably, the audience at last week’s GoldLink show walked in with high hopes and latent reservations.
Matisyahu has a monopoly over the hasidic, beat-boxing, reggae vocalist brand.
In Sunday’s “Girls,” the comedy-drama from HBO, it appeared that this season might be losing some of its momentum.
The Virginia Film Festival’s recently announced partnership with the Violet Crown is set to expand the variety of films showcased in Charlottesville with one-off Arthouse screenings.
For over forty years, Elton John has produced some of the most renowned and identifiable music in the industry. With great energy, he and his band brought it all to John Paul Jones Arena last week.
Last week, the Virginia Festival of the Book’s “A State of Many Nations: Immigration and the Changing Face of Virginia” brought together photographer Lloyd Wolf, journalist Tom Gjelten and author Gustavo Pérez Firmat to discuss how their work emphasizes the changing role of diversity in America and the phenomena surrounding immigration.
Pop band Parachute recently released their fourth studio album, “Wide Awake.” In anticipation of their Charlottesville concert, the show kicking off their upcoming tour, Arts & Entertainment spoke with founder and lead singer Will Anderson to discuss his time at U.Va., musical influences and the new album.
Last week at local coffee shop Millie Joe, the University English department continued its Master of Fine Arts Reading Series.
The Jefferson Theater housed an eclectic cultural performance this past Saturday: U.Va.’s Kluge-Ruhe Aboriginal Art Collection presented Culture Couture — a fashion show, food fest and musical performance celebrating indigenous Australian art and culture.
How far is too far? The Wild Feathers dance around this question on their second full LP, “Lonely Is A Lifetime”. Like any good sophomore album, “Lonely” represents a quest for identity for the young band out of Nashville.
Each year the Virginia Festival of the Book brings authors to Charlottesville to speak about their past work and recent publications.
A brief recounting of the life and career of Iggy Pop makes clear why he deserves to be called a legend: from early collaborations with the late David Bowie to inventing the stage dive.
