Rockn’ to Lockn’ Finals take over the Sprint Pavilion
By Joe DiConsiglio | April 24, 2019Not every band playing on Saturday was great, but every band undoubtedly played their heart out and made Rockn’ to Lockn’ extraordinary.
Not every band playing on Saturday was great, but every band undoubtedly played their heart out and made Rockn’ to Lockn’ extraordinary.
Having the work be so public is something all involved hope will help rewrite the perception that the University is not a leader in sustainability.
The outstanding feature of the U.Va. Drama production — which began its run at Culbreth Theatre April 18 — was the ability of the ensemble cast to express the eccentricities of their respective characters.
One of the greatest strengths of the Black Monologues — and the aspect that makes it most difficult to write about — is that every speech, every cast member deserves praise.
A testament to the earnest charm and musical talent of the band, an unorthodox concert format at The Jefferson subverted and transcended what would have been traditional show.
At the beginning of her presentation, Flewellen called her work an “ode to the maternal lives of my mothers.”
While the pair succeeded in proving their improv ability in the zaniest way possible, the real highlight of the show was learning about unsung comic minds living right here in Charlottesville.
The listener’s point of view does matter. Clair herself is a constant listener, and it’s evident in her music.
“You know, a community radio station doesn't get very far without a community.”
At the crux of the conversation that carried into the night was the authors’ craft — and its relationship to their own stories.
The discussion opened with a simple question — what is LGBTQI fiction?
“The Power of Graphic Novels” was an event that showed that graphic novels are the perfect gateway to attaining visual literacy.
This documentary does little to explain and challenge Dalí's ego, aside from its provocative title.
This program was an example of the impact that fiction — and art more generally — can have on the way we perceive real-world issues.
“The Public,” which Estevez wrote, produced, directed and starred in, received a special screening Friday, March 22, at the Paramount Theater.
The British bluegrass quartet stopped by Charlottesville on their “Delta” tour to spread some friendly vibes at John Paul Jones Arena.
The Holsinger Photo Project event will display Holsinger's portraits while gathering descendants of the pictures’ subjects to reveal new stories about their family history and experience.
The greatest strength of “Encompassing Multitudes” is that it recognizes and knows to capitalize on Whitman’s continued timeliness.
Marsh said making music in Charlottesville is “a very personal experience.… There’s a feeling to every place."
Fourth-year College and Curry student Emily Schmid hosted a workshop to facilitate difficult conversations on social change.