Last Tuesday, Adventure Club, a Canadian electronic dance music duo, stopped at The National in Richmond on its nationwide Superheroes Anonymous tour.
String quartets are often associated with the smooth, classical melodies of Mozart and Bach — a musical standard that new music group “The Radio Music Society” hopes to redefine by performing popular, top 40 songs with string instruments.
Singer-songwriter Toby Keith’s latest album, “Drinks After Work,” delivers the country singer’s signature blend of charming twang, inventive lyrics and line-dance rhythm.
For fans of Midlake, “Antiphon” sounds very different than their previous albums. Following the departure of lead singer and lyricist Tim Smith, Midlake has transformed their once recognizable indie folk sound into Pink Floyd reminiscent progressive rock.
Last Wednesday night, Dr. Dog fans witnessed an amazing concert, where the Pennsylvanian indie rock band managed to pack the house even in the middle of the week.
Since the release of their debut studio album “Eyelid Movies” in 2009, Phantogram has built a noticeable grassroots following through extensive touring campaigns, playing with the likes of The Antlers, The xx, Beach House, and Ra Ra Riot.
Lou Reed, the legendary guitarist and vocalist of the Velvet Underground died October 26 at the age of 71.
“Klezmer” might not ring any bells, but chances are you’ve run across the style of traditional Jewish music at some point in time, perhaps most notably in the musical film “Fiddler on the Roof.” Despite its relative obscurity, this form of music is alive and well, and the Klezmer Ensemble ensures it has a presence even on Grounds. The group, led by Assoc.
My experience Sunday night at the Paramount Theater was less of a concert than it was an exercise of spiritual arousal.
Katy Perry’s latest album, “Prism”, is another solid addition to the pop music canon. In short, the record does everything a pop album should do; it makes you want to dance, it’s fun and it’s a collection of top-notch anthems, with a few power ballads sprinkled in for good measure.
If you somehow managed to miss the swing dance flash mobs, the colorful chalk advertisements all over grounds and the group of students in AFTERDARK t-shirts tossing out flyers on the lawn, you really must have had a lot of midterms. For everyone who got the memo, you had the chance to experience AFTERDARK, “where music and message meet” and featuring heartthrobs Ben Rector and Tyrone Wells.
It’s Thursday afternoon and you have just finished your last class of the day, maybe of the week. Regardless of whether or not you have class on Friday, you’re looking for something to do to start the weekend off right, but what?
If you’ve seen a headline about Kanye West in the last several weeks, I bet the headline included the word “rant.” West’s passion on his BBC Radio interview with Zane Lowe have spurred parodies like Jimmy Kimmel’s skit making fun of the new Kardashian dad.
Indie rock group The Head and the Heart has achieved tremendous momentum since forming in 2009. The band has opened for notables Dr. Dog, Vampire Weekend and Charlottesville’s own Dave Matthews Band — all artists the Seattle-based band cites as inspiration.
If Virginia hip-hop has a sound, it’s The Clipse. The duo of brothers Pusha T and Malice broke nationally with 2001’s Lord Willin’, an album of vivid drug dealer narratives produced entirely by Pharell Williams and Chad Hugo, another Virginia Beach duo who called themselves The Neptunes.
Long gone are the days of innocent, catchy pop from of Montreal, as the band hailing from Athens, Georgia released their new album, “Lousy With Sylvianbriar” on October 8.
At first glance, The Southern seems the least likely Charlottesville venue to hold an ear-shattering dubstep concert.
I feel no shame in saying that I judged Miley Cyrus harshly for her VMA performance. That said, after listening to “Bangerz,” the former Disney Channel’s star’s latest studio album, I’ve been forced to acknowledge that Miley is far, far more than what she seems.
After Dwight Howard Johnson, the opening act at The Southern this past Thursday night, had played its piece and left the stage, there was an obvious alteration in the audience.
If you were at the Jefferson Theater last Friday night, you know that you don’t need a time machine to go back to the ’80s.
