By Joanne Mosuela
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March 15, 2007
Whether it was when Air's musical narration tiptoed behind insomniacs as they wandered through a neon Tokyo in Lost In Translation or when it cried out along with the Lisbon sisters as they pulled their blonde hair out in The Virgin Suicides, this French duo's moody electronica served well and successfully (director Sofia Coppola is probably the band's #1 groupie) as background music for the silver screen.
It's no surprise then that Air's newest record, Pocket Symphony, is the band's conscious effort to backtrack to the heavy-on-the-mood, light-on-the-pop aesthetics of their previous work with motion-picture soundtracks.